“Spectacular.” “Amazing.” “A Triumph.” All of these words are used by MSNBC in a review of Britney Spears’ album Blackout. None of these words represent how I feel. In recent years, the music industry has transformed into a monstrous abomination, milking its uninformed victims of their money, minds, and creativity. Perpetuating disgusting sexual stereotypes and immortalizing undeserving, fawning attention whores, today’s “music” is less about expression and more about fulfilling self-righteous yearnings. The unbelievably complex, timeless artistic works of Erik Satie shield me from the unsubstantiated music of today
Erik Satie, born into the
Satie’s music delves into the deepest confines of the soul, leaving neither a crack nor crevice unexplored. Regardless of external circumstances, nothing is more satisfying then sitting back and letting go. Letting all the troubles, trials, and tribulations of the modern human dictation simply vanish. Satie’s intricate lyrical passages, coupled with melancholy convoluted bass lines allow me to boundlessly inquire. To question societal ranks and biases. To question why we live and how we live. To question the validity of our being. If only popular music could do that.
Satie’s revolutionary music remains relevant to this day. His undeterred, unbreakable love for passionate musical articulation, as misunderstood as it may have been, as poor as it may have left him, is truly admirable. Satie motivates me to challenge societal norms, no matter how accepted they may be, and to never allow the shackles of society to imprison my artistic expression.
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